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Roman has two problems: First problem: he is twice the age of Lulu. Second problem: it is not at all a problem for Lulu.

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Michel Vaillant is # 1 of pilots, undisputed champion in rallying in all circuits in the world. His success arouses admiration and envy. Ruth Wong, director of Team Leader, is determined to break his streak and avenge the memory of his father, founder of Leader. She is capable of anything to achieve her goal.

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We don't have an overview translated in English. Help us expand our database by adding one.

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Roman (Lucky McKee) is a lonely young man who yearns to find love, happiness and companionship. Tormented by his ungrateful co-workers and trapped in a life of tedium as a welder in a local factory, Roman's one pleasure is his obsession with the elusive beauty (Kristen Bell) who lives in another apartment in his building complex. When a chance encounter with the young woman goes horribly wrong, a moment of frenzied desperation triggers a chilling turn of events leading to the girl's murder. As he teeters between deranged fantasy and cold reality, Roman's struggle to hide his grisly secret is further complicated by an eccentric neighbor named Eva (Nectar Rose) who develops an unlikely attraction to Roman and forces herself into his dark and tortured world.

In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”